JAZZ SALON: Billy Mohler, Jimmy Chamberlin + Chris Speed
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Joshua Tree
FREE CONCERT! Clarinet Quartet—U.S. Air Force Band
Joshua Tree Cultural Center is proud to present U.S Air Force Band of the Golden West, featuring its acclaimed Clarinet Quartet.
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Eric Rigler’s Celtic Hollywood concert with special guest Jarrod Radnich
With Eric Rigler, history’s most recorded Celtic musician, performing his original melodies from Oscar-winning films, hit TV shows, and Grammy-winning albums featuring Special Guest Jarrod Radnich on the piano, plus an ensemble of virtuosic musicians.
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DEEP LISTENING: The Story of Pauline Oliveros—Film Screening
Join us for a special screening of DEEP LISTENING: The Story of Pauline Oliveros at the esteemed Blak Box Theater in Joshua Tree, California. Presented in DOLBY 7.1 Surround Sound.
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Fade-In—British Film Institute
Table of the Elements Presents Tony Conrad: Completely in the Present (2016) Screening w/ Director Tyler Hubby, a Live Band Accompaniment Plus a Post-Screening Concert with Samara Lubelski, Tara Jane O’Neill, Caroline Partamian, Ellen Schloff, Brian Butler, Nicolas & Patricia Vernhes, + Hat & Beard Press Book Pop Up.
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Dreaming in Black and White: Control with Producer Orian Williams in Joshua Tree
Control stands apart from most music biopics because it refuses to turn Curtis into a simple icon or legend. Instead of building toward a triumphant performance or a tidy moral, the film lingers on the small spaces where Curtis’s life actually unfolded–small homes, rehearsal rooms, backstage hallways, and hospitals.
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Tony Conrad: Completely in the Present screening w/ Tyler Hubby + Live Concert
Table of the Elements Presents Tony Conrad: Completely in the Present (2016) Screening w/ Director Tyler Hubby, a Live Band Accompaniment Plus a Post-Screening Concert with Samara Lubelski, Tara Jane O’Neill, Caroline Partamian, Ellen Schloff, Brian Butler, Nicolas & Patricia Vernhes, + Hat & Beard Press Book Pop Up.
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Kenneth Anger’s “Lucifer Rising” and the Ritual of Becoming
Kenneth Anger considered cinema not as storytelling but as an act of Magick in the tradition of Aleister Crowley’s “art and science of causing change in accordance with one’s will.” The film is not meant to explain itself. Its creator believed that meaning, like ritual, is experiential; it is something the viewer feels, not interprets.
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